She discovered her vocation for theatre when she played women’s roles in school plays. That was when it became clear to her she was not male. The terror, shame and confusion of this realisation in a completely ignorant, hostile, and prejudiced environment unfortunately  became  associated  with  the  theatre.  It  took  her twenty years to recover enough to find her voice as a theatre writer (with “Losing Venice” in 1985) and another twenty years after that to re-discover her vocation as an actress and performer (with “The Gospel According To Jesus Queen of Heaven” in 2009)

She was fortunate to fall in love with her future partner, Sue Innes, at St Andrews University in 1971. Their partnership lasted 33 years until Sue’s premature death in 2005. During that time they raised two daughters, sharing equal responsibility for their childcare. Sue established herself as a feminist journalist, thinker, historian and campaigner; and Jo established herself as one of Scotland’s leading playwrights.

In the late eighties she wrote a series of major works for the Traverse, which were performed internationally, and which had gender balanced casts and gave the central role to a woman. She also established herself as a leading translator from Spanish, French and Portuguese, became a regular and highly respected radio dramatist,   and   as   an  adapter   of   novels   for   radio   and   the   stage.

After Sue’s death, she took the necessary steps to formalise her female identity and it was then she began  to  re-discover  herself  as  actress  and  performer. She has written about 80 plays for every dramatic medium.

She will perform her new play, Eve, (co-written with Chris Goode), for the National  Theatre of  Scotland  in  the  Traverse  Theatre  in  August  2017.